When I first met Kasey, the demos for Beirut's debut had just started making the rounds. I fell in love with his music the first time I heard those b...
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I've recently found myself happily immersed in Crash Symbols' back catalog. The label, run by my colleagues at Get Off The Coast, is a cassette-onl...
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Simian Ghost is the solo-DIY project of Swedish-songwriter Sebastian Arnström. His debut, Infinite Traffic Everywhere, is a particularly lush col...
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Brooklyn-based trio Widowspeak have been gently warming up all of the coziest crannies of TK's two bedroom San Francisco apartment for the past severa...
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OK, so I'll confess: I've been jamming out a lot to music on Turntable.FM. In fact, I'm slowly becoming a bit of an addict. I try to stay away, bu...
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Last Friday we entered July, and thus, also the second half of 2011. Now that we've passed that milestone, I thought it would be worthwhile to t...
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Just over a week ago, our colleagues over at Tympanogram decided to throw their hat into the blog-turned-record-label game by releasing the debut phys...
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I love stumbling upon lost treasures. I'm sure Syreeta's debut record isn't considered a "lost" treasure to many, but it certainly was for me when I...
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Louisiana producer John Wade is on a mission to put his town of Baton Rogue on the map while simultaneously promoting a funky and progressive Southern...
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Work Drugs are back with a brand new release they've dubbed a "Smooth-P" (as opposed to an "EP") built upon their new single "Ice Wharf". The title...
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Do you remember how Sufjan Stevens once claimed that he would record an album of songs based around each of the 50 states? Well, he's since admitted t...